Women’s Collections Round Table
Annual Meeting 2011
Chicago, IL
August 24, 2011
- Co-Chairs for 2011-2012 were installed: - Virginia Corvid, University of Wisconsin-Madison 
- Kathy Hertel-Baker, Sisters of Charity of Nazareth 
 
- Co-Vice Chairs for 2011-2012 were elected: - Alex Krensky, Duke University 
- Elizabeth Novara, University of Maryland 
 
- Report from 2012 Program Committee - Theme is ‘Beyond Borders’, focusing on collaboration 
- Session proposals are due October 3rd 
- WCRT can endorse two proposals 
 
- Discussion of WCRT Blog and website - Will look into having e-mail sent to members when the blog is updated 
- List of potential session topics 
- “State of Women’s Collections” – discuss on the blog, at the meeting, session proposal? 
- How do we get repositories to submit news for the website? 
- Do we need a newsletter or just the blog? 
- Agreement that e-mail notifications are needed for blog/website updates and as reminders to submit stories 
- Question was asked about members posting directly to blog – Leadership will discuss. 
 
- Discussion of 2012 meeting and potential Session topics - Audio/visual equipment requests for the WCRT meeting need to be submitted by April 1, 2012 
- Possible session topics: - Institutional Cooperation - between Educational institutions and the orders that founded them – what happens when the records of Women Religious end up in institutions outside the Order? 
 
- How Women’s collections are displayed online 9and in other media) - Can we use traditional tools or do we have to be innovative? 
- Is there a clearing house for information on Women’s Collections? 
 
- Gender and Race - Focus not just on white women 
- Pull women’s stories/collections out of ethnographic collections and take an ethnographic look at Women’s Collections 
 
- WCRT should work together with other Round Tables and Sections that deal with under-represented communities and look at the pros and cons of ‘identity specific archives’. 
 
 
- New Business - Discussion of SAA trading cards and observation that there are ‘a lot of dead white guys’ represented, and very few women are represented in the collection 
 


 
 
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