Thursday, October 16, 2014

News from LSU

Political Strategist Donna Brazile Donates Her Papers to LSU

Though she has made her name and home in Washington D.C. for the past three decades, distinguished LSU alumna, veteran political strategist and commentator, author, and Democratic Party official Donna Brazile makes no secret of her pride in being a native of Louisiana and an LSU graduate. Now an important piece of Brazile’s personal history has returned to her home state with the recent donation of her papers to the LSU Libraries Special Collections.
Photographs, correspondence, speeches and other writings, memoranda, reports and analyses, campaign management and research files, and memorabilia comprise the collection. Together the 32 boxes of materials document Brazile’s involvement in Democratic politics and the Democratic National Committee; her interest in and efforts to mobilize African American voters, elect women to office, and advocate for voting rights; her public speaking and teaching; her work with the Louisiana Recovery Authority; and her participation in every presidential campaign between 1976 and 2000, including as manager of the Gore-Lieberman bid for the White House. She was the first African American to lead a major presidential campaign. Visit the link above to read the rest of the news release.

Monday, October 13, 2014

The Theatre Library Association Presents:
Women in Film:  Research, Digital Preservation & Access

Join us on October 17, 2014 for a discussion moderated by TLA President Nancy Friedland looking at women in film from three different perspectives. Mark Newton, Production Manager for Columbia University’s Center for Digital Research and Scholarship (CDRS), will discuss the Columbia University’s Women Film Pioneers Project (https://wfpp.cdrs.columbia.edu/), a freely accessible online database showcasing the hundreds of women who worked behind the camera during the silent film era. Kathryn Hearst, professor of women’s history at Sarah Lawrence College, will speak about her work as a scholar and professor and the challenges to researching early women filmmakers. Bette Gordon, filmmaker and film professor at Columbia University’s School of the Arts will address women in film in the twenty-first century. Brief panel presentations will be followed by lively moderated discussion.

Nancy E. Friedland has been affiliated with Columbia University Libraries for 19 years, where she is Librarian for Media, Film Studies and Performing Arts, and liaison to School of the Arts.  She served as faculty partner on The Film Language Glossary and the advisory group for Women Film Pioneers Project. Nancy currently serves as TLA President, and was Co-Chair of the SIBMAS TLA 2014 Conference.  She also was Editor and contributor to Documenting: Costume Design (2010), part of Performing Arts Resources’ design series.  She contributed to the first editorial team of Oxford Bibliographies Online: Cinema and Media Studies.  Ms. Friedland is Visiting Associate Professor at Pratt Institute’s School of Information and Library Science and Long Island University’s Palmer School of Information Science, where she teaches courses in Film and Media Collections: Archival and Curatorial Practices, Researching Local History: Cities and Towns, and Digital Humanities.  She currently serves on the board of Women Make Movies.  She received an MA in Theatre Studies from New York University and MLS from Rutgers. 

Bette Gordon is a filmmaker and film professor who premiered her newest feature Handsome Harry at the 2009 Tribeca Film Festival with subsequent screenings at the IFC in New York City and Sunset 5 in Los Angeles. Handsome Harry featured a stellar ensemble cast, including Steve Buscemi, Aidan Quinn, Campbell Scott, John Savage and Jamey Sheridan. A pioneer in the American independent film world, Gordon is best known for her bold explorations of themes related to sexuality, violence and power. She has been the subject of various retrospectives including at IFC Cinema (2010) and Anthology Film Archives (2011), as well as at the Walker Art Center in Minneapolis in 2011 and Indiana University in 2012. Her early short films, most notably Empty Suitcases, won numerous awards and festival acclaim worldwide, including showings at the Berlin International Film Festival, New York's Museum of Modern Art and The Whitney Biennial. Variety (1984) marked her debut as a feature film director, particularly in light of the film's invitational showing at The Cannes Film Festival's Director's Fortnight. Luminous Motion, based on the acclaimed novel History of Luminous Motion, was produced by Ted Hope and Anthony Bregman of Good Machine.

Kathryn Hearst has been on the faculty of Sarah Lawrence College since 2011, teaching undergraduate history and graduate-level women’s history. She specializes in gender, race, sexuality, and class in film and media; women’s and gender history; and social and cultural history of the United States and Europe. Kathryn has worked in television, film, and media development at The Polone Company and Hearst Entertainment. In addition to her work with the WFPP, she is a contributor to the Bancroftania, University of California-Berkeley; and an advisor to MoMA’s To Save and Project film series. Kathryn is a member of Women Writing Women’s Lives, CUNY; the advisory board for the Center for Biodiversity and Conservation of the American Museum of Natural History; and the advisory council of Columbia University’s School of the Arts. She received a PhD in History and a MFA in Film, both from Columbia University.

Mark Newton is the Production Manager for CDRS. He oversees the production schedules of the Web-based projects of the Center, including publication support for online scholarly journals, conference proceedings, and other digital projects related to the needs of the Columbia University community for scholarly exchange, and manages a staff of eight developers, designers, and project managers in the service of the center’s multiple project timelines. Prior to joining CDRS, Mark was Digital Collections Librarian and Assistant Professor at Purdue University Libraries. He received a Masters of Science in Library and Information Science from the University of Illinois in 2007.


At the New York Public Library’s Bruno Walter Theatre, 111 Amsterdam AvenueOctober 17, 2014.
TLA Annual Business Meeting (open to the public) will take place from 5:30-6:00PM.
Doors open at 6:45, panel event from 7:00-8:00 PM.
Reservations required: RSVP FORM
For additional information please email tlabookawards@gmail.com



Monday, September 08, 2014

Links of Interest

Start your week off with some interesting stories from around the world. Enjoy!

 "Denying Historians: China’s Archives Increasingly Off-Bounds" from The Wall Street Journal At last week’s meeting of the Historical Society for Twentieth-Century China in Taipei, roughly 200 historians from Asia, the United States and Europe gathered to share their latest research. But during lunch hours and coffee breaks, the one question that kept popping up wasn’t about any given paper or project. Instead it was: “How’s your archival access been lately?” This wasn’t just idle conference chitchat.

 "The Fate of Feminism in Pakistan" from The New York Times
KARACHI, Pakistan — On Feb. 12, 1983, 200 women — activists and lawyers — marched to the Lahore High Court to petition against a law that would have made a man’s testimony in court worth that of two women. The Pakistani dictator Gen. Muhammad Zia ul-Haq had already promulgated the infamous Hudood Ordinance, which reflected his extremist vision of Islam and Islamic law. Now, it was clear to many Pakistani women that the military regime was manipulating Islam to rob them of their rights.

 "Touching Images of Unaccompanied Minors—From 100 Years Ago" from New Republic
From the time Ellis Island opened in 1892, to 1954 when it closed, more than 12 million immigrants from all over the globe—many of them children—passed through its doors. Almost 40 percent of Americans can trace at least one of their ancestors to Ellis Island. As child migration surges along the southwest border, a look back at some of the children that embarked on a long voyage across the ocean in the hope of becoming Americans. 

"200-Year-Old Alcohol Found in Shipwreck Is Still Drinkable" from Smithsonian Magazine
Earlier this summer, researchers discovered a 200-year-old bottle of liquid while excavating a shipwreck off the coast of Poland. Based on the mark on the neck of the bottle, the archaeologists assumed that the stoneware bottle was full of mineral water from Seltsers, Germany. But preliminary test results have shown that the bottle actually contains alcohol—probably a form of vodka or the gin-like jenever.

Friday, September 05, 2014

Upcoming Event at Duke University

Digitizing the Women's Liberation Movement: A conversation with Movement Leader Alix Kates Shulman and Behind-the-Scenes perspectives from Molly Bragg and Kelly Wooten Wednesday, September 10, 9:30-11:00 a.m. Perkins Library, Room 217 This program will give insight both to the women’s liberation movement and to the life cycle of a digital project, and celebrate the launch of the Women's Liberation Movement Print Culture digital collection. “Documents from the Women's Liberation Movement: An On-line Archival Collection,” was created in 1997 to support a Duke course on the Social History of American Women, and became one of Duke Libraries’ most popular digital collections. Read more about the event at the Sallie Bingham Center for Women's History and Culture.

Monday, September 01, 2014

ARCHIVES 2015 - Call for Session Proposals

With a mandate from the Council and the membership at large to experiment with new ideas, SAA is shaking things up for its 79th Annual Meeting! The most obvious change is the venue itself: We will be meeting at the Cleveland Convention Center rather than in a traditional conference hotel. But changes in the program development process also are in the works. In addition to the current program model, for example, there will be an opportunity to address more time-sensitive topics via pop-up sessions that can be anything from spur-of-the-moment crowds brought together through social media to more deliberate gatherings of likeminded archivists with specific agendas. And to continue the trend begun in 2013, sessions will be shorter, less formal, and more interactive.

Proposal Evaluation

Session proposals are welcome on any aspect of archives management practices—local, national, and international— as well as their intersections with other professions and domains. Proposals will be evaluated on the strength of the 150-word abstract, the diversity of the speakers and their experiences, and the completeness of the proposal. Session proposals should incorporate one or more of the following:
  • Inclusion of diverse or international perspectives and initiatives.
  • Relevance to SAA members and other interested attendees.
  • Interaction and engagement with session participants.
  • Potential impact on archival practice.
There is no theme for ARCHIVES 2015, but an emphasis will be placed on sessions that reflect on the current state of the archival profession. Proposals related to archival advocacy will be given added consideration, as will sessions that explore new ways to grow the profession.

Session Formats

The Program Committee encourages submission of proposals that may include, but are not limited to, the following formats:
  • Traditional. 75- or 60-minute session consisting of two or three fully prepared papers of 15 minutes each and a commentand- discussion period. Please do not propose sessions of more than three presenters. A chair is not required for this format; chair duties may be performed by one of the speakers. Paper titles are required.
  • Incubator Session. 60-minute session consisting of two presentations of 10 minutes each that describe project, research, or collaboration initiatives in their developing or formative stages, and including at least 40 minutes for audience feedback and discussion.
  • Special Focus Session. 60-minute session designed to highlight innovative archives or records management programs, new techniques, and research projects. Audience participation is encouraged.
  • Panel Discussion. 75- or 60-minute session consisting of a panel of 3 to 5 individuals discussing theories or perspectives on a given topic. Similar to the traditional model, the goal of a panel discussion is to have a more informal session with time for audience feedback. Presentation titles are not printed in the program. A moderator is required; a commentator is optional.
  • Poster Presentation. Report in which information is summarized using brief written statements and graphic materials, such as photographs, charts, graphs, and/or diagrams mounted on poster board. Presenters will be assigned a specific time at which they must be with their poster to discuss it with attendees.
  • Lightning Talks. Eight to eleven lively and informative 5-minute talks in a 60-minute Lightning Talk session format. The session chair secures commitments from speakers and compiles all presentation slides to ensure timely speaker transitions. Proposals in this category may suggest recommended presenters, and commitments should be secured soon after the proposal is accepted.
  • Alternative Format. Don’t feel confined by the prescribed formats—suggest an alternative format or create your own! Alternative format sessions may take a variety of forms. Examples include world cafĂ© (http://www.theworldcafe.com/ method.html) and fishbowl discussions (http://en.wikipedia .org/wiki/Fishbowl_(conversation). Or you could go “old school” and propose a debate with opposing views and rebuttals. We welcome your creative ideas about how your topic might best be addressed! Proposals in this category must specify the format and session facilitator and briefly describe how the format will enhance presentation of the material and may suggest up to four presenters who will be involved in the session.

New for 2015: Pop-Ups!

For the first time the Program Committee will set aside one hour on Thursday and Friday afternoons for impromptu interactive meetings. Pop-Up sessions might occur as a result of a lively blog discussion, an idea that came up in an earlier session, or an inspiration at lunch. Or Pop-Ups could be used by sections or roundtables for open discussions on hot topics. Sessions will be advertised on the fly via appropriate social media during the meeting. The use of Pop-Up rooms will be coordinated by the Program Committee at the conference site. However, proposals may also be submitted to the Program Committee prior to the meeting beginning in May 2015. Do not use the Session Proposal Form for Pop-Ups. Stay tuned for additional information on these sessions.
Your format choice will not affect the decision of the Program Committee. The Program Committee may, however, recommend that the proposed format be changed if it believes that a different format may better serve the session’s desired audience.

Reminder for Proposal Submitters and Session Participants

Archivists and records managers who participate in the program (including in Pop-Up sessions) must register and secure institutional or personal funding. Participants who are not archivists or records managers, or who are from outside the United States and Canada, may be eligible for complimentary registration upon request. SAA cannot provide funding for speakers, whether they are international, non-archivists, non–records managers, members, or nonmembers.

Proposals for the 2015 Annual Meeting are due on October 8, 2014.


Thursday, August 28, 2014

News from Barnard and the Seven Siblings

Barnard Library Hosts History of Women's Education Open Access Portal Project Meeting 

Archivists, administrators and programmers from the Seven Siblings (formerly Seven Sisters) met at Barnard College on 7/25/2014 to discuss the collborative "History of Women's Education Open Access Portal Project." Project participants include staff from Barnard, Bryn Mawr, Mt. Holyoke, Radcliffe (Schlesinger Library/Harvard University), Smith, Vassar and Wellesley colleges.


Photograph from Barnard Library and Academic Academic Information Services, Barnard College

Visit the link above for the rest of the article.

Monday, August 25, 2014

From The Examiner:

The National Archives at Kansas City will present in partnership with the American Association of University Women and the League of Women Voters a program titled “Who’s Afraid of Virginia Minor?: Women’s Suffrage on the Prairie” at 6:30 p.m. Aug. 28. A 6 p.m. reception will precede the program.