Showing posts with label digital content. Show all posts
Showing posts with label digital content. Show all posts

Wednesday, November 05, 2014

News from the University of Wisconsin-Madison

Dovie Horvitz Collection Showcases Extraordinary Evolution of Ordinary Women

Bum pads, cockade feather fans, petticoats, talcum powder tins, postcards depicting the “10 Commandments for Wives,” and garters made by prisoners. The breadth of the Dovie Horvitz Collection reflects the lives and progress of women over the last two centuries – exactly what the collection’s namesake intended. 
“Everything from the artwork, to the post cards, to the clothes, even the makeup all tells a story,” Horvitz said. “I look back now and think of how extraordinary the transformation has been. This isn’t about showcasing celebrities. It’s about the day-to-day lives of ordinary women.” 
Now, more than 1,300 images and scanned texts of items in Horvitz’s are available through the University of Wisconsin Digital Collections site. While the collection is new to the site, it actually is decades in the making.
‘Dress thyself like an old witch’ postcard. The seventh in a series of ten postcards titled, “The 10 commandments for wives.” From the Dovie Horvitz Collection / UW Digital Collections 2010.27.1 
Read the rest of the story at the University of Wisconsin-Madison Libraries website.

Monday, October 20, 2014

News from the Tyrrell Historical Library in Texas

The Beaumont Public Library System has been awarded the TexTreasures Grant in the amount of $18,490.00. This grant is made possible from the Institute of Museum and Library Services to the Texas State Library and Archives Commission under the provisions of the library Services and Technology Act. (2015) 

The grant will digitize and provide descriptive historical background information related to the Melody Maids Collection. Once this information has been digitized, it will then be uploaded to the “Tyrrell Historical Library Collections Digital Collections” site for patrons to use as an online research tool. 

The Melody Maids was a girls’ choir that traveled the United States and the world to perform for military personnel located at military installations from 1942 to 1972. The Melody Maids Collection is on permanent display in the Rose Room of the Julie Rogers Theatre in Beaumont, Texas. Several scrapbooks are already available online @http://cdm16058.contentdm.oclc.org/cdm/search/collection/p16058coll33/searchterm/Melody%20Maids%20Scrapbook/field/all/mode/all/conn/and/order/title/ad/asc. With the help of this grant, we will be able to add 155 to 185 additional scrapbooks to the collection.





Friday, September 05, 2014

Upcoming Event at Duke University

Digitizing the Women's Liberation Movement: A conversation with Movement Leader Alix Kates Shulman and Behind-the-Scenes perspectives from Molly Bragg and Kelly Wooten Wednesday, September 10, 9:30-11:00 a.m. Perkins Library, Room 217 This program will give insight both to the women’s liberation movement and to the life cycle of a digital project, and celebrate the launch of the Women's Liberation Movement Print Culture digital collection. “Documents from the Women's Liberation Movement: An On-line Archival Collection,” was created in 1997 to support a Duke course on the Social History of American Women, and became one of Duke Libraries’ most popular digital collections. Read more about the event at the Sallie Bingham Center for Women's History and Culture.

Thursday, July 24, 2014

The Pacifica Radio Archives is one-third of the way through a remarkable grant project “American Women Making History and Culture: 1963-1982” funded in part by the National Historical Publications and Records Commission, to preserve all of our audio related to the American Women’s movement during that time period.

The Pacifica team, led by Project Director Brian DeShazor, decided to undertake this project back in 2011 after reviewing our collection and noting that even though we had digitally preserved nearly all of our recordings related to the Civil Rights movement and LGBT Rights movements, there was still a large number of recordings related to the Women’s movement that had not yet been digitized and were not “discoverable.”  Hundreds of recordings featuring well-known women activists such as Gloria Steinem, Angela Davis, Germaine Greer, Dolores Huerta, Rosa Parks (and many, many more) had been digitized, but over 1,500 recordings featuring lesser-known and unknown women who made the movement a movement were still on reel format.

As I searched our online database using keywords such as “women,” “feminism,” “lesbian,” “male-chauvinism,” “abortion,” etc., I was so excited to find documentation of nearly the entire movement in our collection: the experiences of women from different ethnic groups during the Women’s movement, reports of Women’s movements happening around the world, Women’s sexuality, Women and work, men discussing what they think about Women’s rights, Women-centered art, music, theater; it goes on and on.

One good and bad discovery has been the realization of how much Women’s content had not yet been preserved. One recent example was a male-hosted series about films and the film industry, where nearly all of the interviews featuring male movie directors and actors had been digitized, but those centering on women actors and filmmakers were yet to be digitized.  Also, when adding contributor names (i.e. producers, engineer, etc.) to our database, if I enter a women’s name such as “Jennifer,” one or two names drop down. But if I enter a man’s name like “Steven,” about 30 names drop down. Not only have recordings about women not been equally preserved, but also the women who created them haven’t been equally acknowledged.  Sometimes I run across a recording that seems so important and think “Why hasn’t this been preserved until now???” I get heated, but then remember, “Hey, but we’re doing it now! Keep calm and keep cataloging.”

I’ve heard of archivists getting emotionally involved in the materials they are preserving, and I have definitely had that experience with this collection. While I sometimes feel enraged by the sexism I see even in my catalog, I remember how lucky I am to get to work with all of this great material and how honored I am to be helping to preserve it. The project team including Director Brian DeShazor, Project Coordinator Adi Gevins, Archivists Holly Rose McGee and Joseph Gallucci, Production Coordinator Edgar Toledo, the Pacifica staff and I are looking forward to seeing this important content being used by students, professors, artists, writers, filmmakers, and the general public.

If you’d like to learn more about our project and stay up-to-date with our progress, please follow our blog at: http://womenmakinghistoryblog.wordpress.com/
To learn more about the Pacifica Radio Archives, please visit: http://pacificaradioarchives.org.

Jolene M. Beiser
Project Archivist 




Thursday, July 03, 2014

In the months following the Women’s Archives/Women’s Collections: What does the Future Hold? symposium that was held as part of the 2013 SAA conference, I began thinking more meaningfully about the stories we might tell about women’s contributions and women’s lives through collections housed at the University of Rochester’s River Campus Libraries

How do women become a part of the historical record? How do women’s stories intersect with the broader historical context? How do our collections facilitate a scholarly analysis of the human experience? 

The legacy of Susan B. Anthony echoes throughout many of our collections. Anthony lived in Rochester as an adult and her home became one of the sites in the campaign for women’s suffrage. In addition to the Susan Brownell Anthony Papers, we’re also able to work with scholars to tell stories using our collections and go beyond Anthony and her life-long campaign for women’s rights. 

Beginning in the fall of 2011, we began a project to put Anthony and other social activists in conversation with one another, by working with students to digitize and transcribe nearly 2,000 letters written in the nineteenth-century to and from Isaac and Amy Post. The project’s website went live in 2012 with 200 letters, and we anticipate finishing the digitization of the collection in the summer of 2014. 

The Post family lived in Rochester and their home served as a stop on the underground railroad. The family members supported the newspaper Frederick Douglass published in Rochester, as well as helped to plan the second women’s rights convention that took place shortly after Seneca Falls in the summer of 1848. Their correspondents include Anthony, Elizabeth Cady Stanton, Sojourner Truth, Harriett Jacobs, William Cooper Nell, and Frederick Douglass. By reading these letters, scholars can better understand the involvement and impact a family like the Posts had on the major social movements of the nineteenth century, and how their involvement was very much a part of the fabric of their daily lives. 

In a letter written to Amy Post after the Civil War, Anthony shares her delight that the Post family will be coming to visit she and her brother at their family farm. Referring to herself in the third person, Anthony writes: 

And Susan B. in 
particular will be very 
happy to see thee & both &
plan about Anti Slavery,- 
as well as visit – 

It’s not completely clear what Anthony means when she says “anti slavery.” Should could be referring to the ongoing debate regarding black male suffrage, or she could be assuming the term anti-slavery to describe women’s status at the time. It’s hard for us to imagine Anthony sitting still long enough to write a letter- while campaigning nationally for suffrage and equal rights- let alone welcoming visitors to her family’s farm. In between the lines, we can read the careful balance women struck, to both assume and cast off societal expectations of women. 

This collection and project helps to underscore one of my big take-aways from the symposium, which is that we find women’s stories in nearly all of our collections and these stories celebrate not only those notable and well-known figures, like Susan B. Anthony, but also those women, who remain silent within the historical record. Bringing these voices to life is one of the things I like best about being an archivist.

Lori Birrell
Manuscript Librarian
University of Rochester

Monday, November 15, 2010

Women and Social Movements at the AHA & online

The new digital archive, “Women and Social Movements International-- 1840 to Present,” will be available for library subscription from Alexander Street Press in December or January. The first 25,000 pages of the archive will appear at that time and the entire archive of 150,000 pages will be online in late 2011. Kathryn Kish Sklar and Thomas Dublin are co-editing the resource with support from an international editorial advisory board.

At the AHA (American Historical Association) the archive will be considered as a research tool in a session, “New Research in the History of Women’s Transnational and International Social Movements.” That session will take place on Friday, Jan. 7, 9:30-11:30 in the Arlington Room of the Boston Marriot Copley Place and will have screen shots of the Beta version of the archive. Participants will include Francisca de Haan of Central European University, Tiffany Ruby Patterson of Vanderbilt University, Megan Threlkeld of Denison University, Barbara Reeves Ellington of Siena College and Kitty Sklar.

There will also be a luncheon on Friday, Jan. 7 at 12:15 in the Vineyard Room of the Boston Marriot Copley Place to unveil WASM International. There we will describe the archive in a slide presentation. Please contact tdublin[at]binghamton[dot]edu to reserve a place. The luncheon is free, but seats are limited.

We hope to see you at the AHA.
Kitty Sklar & Tom Dublin

Thomas Dublin
Distinguished Professor of History
State University of New York at Binghamton
Binghamton, NY 13902-6000
607-777-2854
FAX: 717-214-4415

Monday, June 07, 2010

Hello All,

Women's History Sources is a collaborative blog that serves as a current awareness tool for anyone who is interested in primary sources at archives, historic sites and museums, and libraries.

The blog will be international in scope. See the "About this Blog" link for more information.

The group of contributors will include a good mix of archivists, historians (faculty and graduate students), curators and librarians.

If you are interested in being a contributor, Contact Ken Middleton, Middle Tennessee State University.

Wednesday, March 03, 2010

The most recent issue (Fall 2009) of Microform & Imaging Review includes 8 articles and 4 reviews on the theme of "women's history digital collections."

De Gruyter's Reference Global site (http://www.reference-global.com/toc/mfir/current) offers full text access to subscribing institutions, and "abstracts" (first page) access to non-subscribers. Many libraries subscribe to the print edition, and there is always the interlibrary loan option.

The digitization projects that are showcased in this theme issue are improving access to primary sources that document women’s lives in places as diverse as Italy, Iran, and Muncie (“Middletown”), Indiana. Other collections focus on African American women at the University of Iowa, an underappreciated French American author, and the pioneering efforts of women in government and law.

Here's a list of the articles with brief annotations, along with links to the collections that are highlighted. The list also includes links to the full text of articles 2 and 7 (for this week only).

1. Women's History Collections: Digitization, Access, and the Future of Collaboration
by Ken Middleton- Provides a brief introduction to the key themes of the issue.


2. The Middletown Women's History Collection. A Case Study in Building a Digital Collection of Women's History Resources by Amanda A. Hurford and Maren L. Read- An excellent case study from the perspective of an archivist and a digital projects librarian.
Link to Middletown Women's History Collection
http://libx.bsu.edu/cdm4/collection.php?CISOROOT=/MidWmnHis
Link to full text of the article:
http://www.reference-global.com/stoken/default+domain/Ptc4ADasvvEytRcD4xnb/abs/10.1515/mfir.2009.017

3. Women's Worlds in Qajar Iran. A Digital Archive and Website Project of the History Department and Studies of Women, Gender, and Sexuality, Harvard University; and the Harvard College Library by Afsaneh Najmabadi- This project is bringing together widely dispersed primary sources, many of which remain in private family collections.
Link to grant announcement:
http://history.fas.harvard.edu/people/faculty/najmabadi-nehgrant.php

4. The Italian Digital Women's Library in the Context of Europe by Annamaria Tagliavini
The author describes how the focus on women's movements influenced the types of sources collected at the Italian Women's Library, as well as the Fragen Project, a collaborative project involving European women's libraries.
Link to the Italian Digital Women's Library and Fragen:
http://www.women.it/bibliotecadelledonne/index_eng.htm

5. Unveiling Women's History Online. Digitizing the Washington College of Law Historical Collection by Allison B. Zhang and Susan McElrath- The authors provide a wealth of information about the technical aspects of digitization: metadata; working with digitization vendors; developing a file naming convention. They also describe the custom viewer for scrapbooks.
Link to digital collection:
http://www.aladin.wrlc.org/gsdl/collect/wcl/wcl.shtml

6. Digitization of the French Language Sidonie de la Houssaye Papers by Gina Costello
Costello covers microfilming the collection for preservation, and subsequent digitization of the microfilm to improve access.
Link to digital collection:
http://louisdl.louislibraries.org/index.php?name=Sidonie%20de%20la%20Houssaye%20Collection

7. Chronicling African American Women Students at the University of Iowa by Shawn Averkamp
In addition to covering selection, digitization, and metadata issues, Averkamp outlines the timeline approach for providing a key entry point to the collection. Such an approach provides contextual information for small groups of items, rather than just for the collection as a whole.
Link to digital collection: http://digital.lib.uiowa.edu/aaws/
Link to full text of the article:
http://www.reference-global.com/stoken/default+domain/H6SxHIXJbY9yqtsfHeMg/abs/10.1515/mfir.2009.022


8. A Few Good Women, 1969–1974. An Oral History Collection Experienced through an Online Curriculum for Grades 6–12 by Karla M. Schmit
Link to digital collection: http://www.afgw.libraries.psu.edu/index.html
This collection highlights the experiences of women in government positions during Richard Nixon's presidency. Schmit explores multiple options for making the collection relevant for students: WebQuests to compare "A Few Good Women" with women in government in other countries; compare interviews in the collection with their own interviews with women; and even play the roles of journalist Vera Glaser and President Nixon in Readers Theatre.

Review of Microfilm Collection
* Atlanta Lesbian Feminist Alliance Archives, ca. 1972–1994 (reviewed by Phyllis Holman Weisbard)

Reviews of Commercial Digital Collections
* Manuscript Women’s Letters and Diaries from the American Antiquarian Society, 1750–1950 (reviewed by Jessica Moran)
* Perdita Manuscripts: Women Writers, 1500–1700 (reviewed by Robert Detmering)
* Women, War and Society, 1914–1918: From the Imperial War Museum, London (reviewed by Nina Clements)

Ken Middleton
Editor, Microform & Imaging Review
Box 013, Walker Library
Middle Tennessee State Univ.
Murfreesboro, TN 37132
(615) 904-8524
kmiddlet@mtsu.edu

Tuesday, March 02, 2010

Free for March: Women and Social Movements

March is Women’s History month and to celebrate, we’ve made the popular online collection, Women and Social Movements in the U.S., 1600-2000, Scholar's Edition, freely accessible for the entire month.

To access Women and Social Movements, Scholar's Edition, simply visit
http://wass.alexanderstreet.com
CHOICE OAT.gif
Winner of a 2004 CHOICE Outstanding Academic Title Award
A mainstay of women’s history scholarship and teaching in universities worldwide, this online collection is edited by Professors Kathryn Kish Sklar and Thomas Dublin of SUNY Binghamton. This extensive collection of primary historic documents, books, images, scholarly essays, teaching tools, and book and Web site reviews documents the history of women’s activism in public life, and is one of the most heavily visited resources for women’s studies and for U.S. history on the Web. Organized around document projects written by leading scholars, the collection is a powerful research and classroom tool designed to help users develop the skills needed to analyze primary documents and conduct research. Document projects are organized around interpretive questions, each with 20-50 primary documents that address the question. Some examples are:
  • How Did the Ladies Association of Philadelphia Shape New Forms of Women's Activism During the American Revolution, 1780-1781?
  • How Did White Women Aid Former Slaves During and After the Civil War, 1863-1891?
  • How Did Black and White Southern Women Campaign to End Lynching, 1890-1942?
  • How and Why Did the Guerrilla Girls Alter the Art Establishment in New York City, 1985-1995?
  • How Have Recent Social Movements Shaped Civil Rights Legislation for Women? The 1994 Violence Against Women Act.
The Scholar's Edition also includes more than 40,000 pages of full-text sources, including:
  • Proceedings of all women's rights conventions, 1848-1869
  • Proceedings of the Woman's Christian Temperance Union, 1874-1898
  • Selected publications of the League of Women Voters, 1920-2000
Also newly added to the Scholar's Edition are:
New content is added semi-annually.
Please also be sure to check out the companion blog to Women and Social Movements, Women and Social Movements: The Online Discussion, where faculty discuss how they’ve made use of the online collection in the classroom, share syllabi, and exchange ideas.

Wednesday, February 24, 2010

The Middletown Women’s History Digital Collection provides online access to archival materials documenting the experiences of women in Muncie, Indiana from the 1880s through the 1930s. The collection includes diaries, minutes, and correspondence, photographs and other documents from the wealth of resources available in Ball State University Libraries’ Archives and Special Collections. The collection is organized based on the six areas used by Helen and Robert Lynd in their seminal sociological studies of Muncie, or “Middletown,” conducted in the 1920s and 1930s.

This project was supported by a grant from the Institute for Museum and Library Services under the provisions of the Library Services and Technology Act, administered by the Indiana State Library. If you have any questions about this or other collections in the Digital Media Repository, please feel free to contact:

John Straw
Assistant Dean for Digital Initiatives and Special Collections and Digital Media Repository Project Coordinator
Ball State University Libraries
Alexander M. Bracken Library
Muncie, IN 47306
jstraw@bsu.edu

Friday, January 29, 2010

Digital Women's History Resources

Women's History Resources now available online through the Ball State University's Digital Media Repository!


Ball State University Libraries is pleased to announce the availability of three collections of women's history resources available online in the Digital Media Repository (http://libx.bsu.edu), the Middletown Women's History Digital Collection, The Man Haters Film Collection, and the Eleanor Roosevelt Speech Collection.

Middletown Women's History Digital Collection
The Middletown Women's History Digital Collection provides online access to archival materials documenting the experiences of women in Muncie, Indiana from the 1880s through the 1930s. It includes diaries, minutes, and correspondence, photographs and other documents from the wealth of resources available in Ball State University Libraries' Archives and Special Collections. The collection is organized based on the six areas used by Helen and Robert Lynd in their seminal sociological study of Muncie, or "Middletown," in the 1920s and 1930s. This project was supported by a grant from the Institute for Museum and Library Services under the provisions of the Library Services and Technology Act, administered by the Indiana State Library.

The Man Haters Film Collection
The Man Haters is a rare 35mm silent movie filmed in Muncie, Indiana in 1915. The film was produced by Basil McHenry, a traveling film producer from Akron, Ohio. He financed the film with sponsorship by Muncie's Majestic Theater and The Muncie Evening Press newspaper. Readers of the Press were asked to cast their votes for the leading actresses using coupons printed in the paper. Filming began in Muncie, Indiana on November 3, 1915 and the movie opened at the Majestic Theater on November 15, 1915. Basil McHenry also produced similar films in other towns in Indiana and Ohio.

This digital collection contains the ten minute original version and a longer documentary version of The Man Haters film, newspaper clippings about the contest, still photographs from the film, and a booklet about history of the film.

Eleanor Roosevelt Speech Collection
The Eleanor Roosevelt Speech Collection includes digital audio,photographs, and a transcript documenting Eleanor Roosevelt's speech to convocation in Assembly Hall at Ball State Teacher's College (now Ball State University) in Muncie, Indiana, on May 6, 1959. The title of her speech was "Is America Facing World Leadership?" and warned against complacency and stressed the urgency of understanding other peoples in the world. These collections are also available to researchers in person in Archives and Special Collections, Ball State University Libraries.

If you have any questions about these or other collections in the Digital Media Repository, please feel free to contact:

John Straw
Assistant Dean for Digital Initiatives and Special Collections and Digital
Media
Repository Project Coordinator
Ball State University Libraries
Alexander M. Bracken Library
Muncie, IN 47306
jstraw@bsu.edu